Thursday 23 August 2012
01. Bottleneck Blues
02. Bean Vine Blues
03. A Raga Called Pat, Part III
04. A Raga Called Pat, Part IV
05. The Little Train That Couldn't
07. Leaving Home
08. Lo How a Rose
09. Texas and Pacific Blues
10. The Bastrop Waltz
Fahey’s greatest joke?
Released in 1968, “The Voice of the Turtle” has perplexed Fahey fans ever since. Half truths, in jokes, self mythologizing and some plain old lies.
Some of the tracks are credited to Fahey and the ficticious blues guitarist, Blind Joe Death. Most fans were aware that BJD was an alter ego of Fahey but those tracks were actually other artists old 78’s. Fahey plays over the top of some, others he doesn’t even appear on.
The Fahey originals are stranger still. “A Raga Called Pat, Part IV” features gongs, slide and chanting monks.
Fahey, ever keen to puzzle his fans, goes further in the liner notes. The first sentence is 561 words long and the photos and captions seem to be completely made up. Fahey later stated that “The whole record was a hoax”.
However, there's more...
There are two versions of this album.
Fans only became aware when listening to other copies of the L.P. There are some completely different tracks across the two versions. There are no clues in the notes and there seems to be no explanation available.
The two versions have different coloured labels. One black, one orange. The Takoma cd reissue is a remasterd version of the black label.
I do not have the time, space or mind to go further into this joke within a joke. If you wish to read further I suggest you visit http://www.johnfahey.com/ and read their excellent article on the matter.
But for now, enjoy the alternative punchline...
07.À Plein Gosier
11.Chanson De La Nuit
12.Chanson Du Matin
A brief introduction to library/production music - Unlike popular or classical music production companies, music production libraries own all of the copyright of their music. A composer would create music on a work for hire basis, hand over the results to the production company and they could then license it without the composer’s permission.
This music is generally used for film, television and advertising.
It is, however, of interest to lovers alternative music.
In return for handing over permission to use the recordings, the artist could record whatever they wanted. (and without the pressure from record companies, labels etc to come up with commercially viable product) Perhaps a new musical direction doesn’t fit with the record label, a soundtrack composer may have an idea but no film to work on or the artist may wish to record something that’s downright freaky.
My favourite library album is Voix by Egisto Macchi. It was Macchi’s first library record and was released on the Gemelli label in 1970. The label specialised in the avant garde and only pressed 500 copies of each album.
The music is sparse, percussion heavy and ominous. Light is glimpsed occasionally with choir and piano only for the menace to return with scraping noises, thundering percussion and fuzz bass.
Dark, humorous, scary, haunting and truly wonderful.
A masterpiece of Italian classical avant garde.
Ankh Records 1968
01. Song Of A Gypsy
02. Poor Poor Genie
03. Don't You Feel Me
04. Did You Ever
05. Funky Funky Blues
06. Do You
07. The Night
08. I Feel Your Love
09. Bird Fly So High
10. The Road Of Life
I recently span 'Don't You Feel Me' at a party. Enquiries of origin ensue.
Rare as fuck.
A private press release from the west coast, it's impossible to obtain an original copy. Real rare psychedelic funk that lives up to the hype. Fuzz guitar, wicked drums, finger cymbals, deep bass and some real soul vocals. Smoky groove.
"Tranced out gypsy Arabian acid fuzz crooner psych with deep mysterious vocals, an amazing soundscape and excellent songwriting." - Acid Archives.
I can't really add much more to that, other than who would of thought that psych and crooning would make such a good match? Also, how can a record that has a member that only plays finger cymbals be bad?
Check out those drums.