Showing posts with label Nightowl Sings. Show all posts
Showing posts with label Nightowl Sings. Show all posts

Tuesday, 27 June 2023

The Nightowl Sings / Goatherder - What We See In Storms ​/ ​Future Goatherder

 




















Treehouse Orchestra Recordings 2023

01 The Nightowl Sings - Footsteps Are Not Forever
02 The Nightowl Sings - Deep Country
03 The Nightowl Sings - Wynd
04 The Nightowl Sings - Ottor Furrows
05 The Nightowl Sings - It's Only Love, It's Only Everything
06 The Nightowl Sings - Wayward
07 Goatherder - 12 Apostles Stone Circle, Dumfries
08 Goatherder - Intensification 90
09 Goatherder - Forest Head
10 Goatherder - Sam's Chimes
11 Goatherder - Slow Education

The Nightowl Sings - 'What We See In Storms':

Marc Gillen - Acoustic and electric guitars, drum machine, bass, field recordings and samples, keyboards and vocals.

with

Stephen Benson - Guitar and mandolin on 'Wayward'.
Emily Ford - vocals on 'Wayward'.
Catherine Reding - violin and keyboards on 'Ottor Furrows'.
Voice of Tom Edmondson used in 'Footsteps are Not Forever'.

All songs written by Marc Gillen.

Recorded in our homes 2022-23.

Mixed and arranged by Alastair Popple at the Kitchen Sync.

Artwork by Emily Ford.
------------------------------
Goatherder - 'Future Goatherder':

Performance, mix and production by Stephen Benson.

'Apostles Stone Circle, Dumfries & Galloway' vocal by Camille Matton, recorded at Hayton Castle. Soundtrack to the film of the same name.

'Intensification 90' drums by Mike Taylor. Completed with found sound January 2023.

'Forest Head' Cmybalin and percussion recorded in Kielder Wood sound installation.

'Sam's Chimes' contains a sample from a live improvisation of Clyde Stubblefield. Piano improvised at The Sage, Gateshead. Field recordings from Carlisle cathedral. Assembled in Hebden Bridge.

'Slow Education' recorded live at Free Radicals, 'An Evening Of Experimental Music', 28th of January, 2022.

Mastered by Jonathan Sharp.

Artwork by Stephen Benson.

Mastered for vinyl by Jonathan Sharp. 

TOR092.

Free download and streaming and extremely limited lathe cut 12" transparent vinyl available from Bandcamp.



 


Sunday, 25 September 2022

The Nightowl Sings - Test Card / Chicago Girls Dream Of Glasgow

 




















Treehouse Orchestra Recordings 2022

01 Test Card
02 Chicago Girls Dream Of Glasgow

The newest release on our label is this single...

The Nightowl Sings is Marc Gillen - Guitars, keyboards, melodica, drum machine and vocals.

All words written by Marc Gillen.

Recorded at home summer 2022.

'Test Card' mixed, manipulated, arranged and produced by Alastair Popple.

'Chicago Girls Dream of Glasgow'  mixed, manipulated, arranged and produced by Stephen Benson.

Photography by Marc Gillen and artwork design by Stephen Benson.

TOR089.

Friday, 29 July 2022

The Nightowl Sings - These Dislocated Isles

 





















TOR087. Released June 2022.

01 These Dislocated Isles (Part 1)
02 These Dislocated Isles (Part 2)

The latest release from Treehouse Orchestra Recordings.

Marc Gillen - Vocals, Drum Machine, Electric Guitars, Keyboards, sounds & samples.

All music and words written by Marc Gillen except ‘Lighthouse’ written by Marc Gillen and Alastair Popple. 

Version of ‘Lighthouse’ sample used prepared by Alastair Popple.

Recorded at home October 2021 to January 2022.

Mixed and edited by Stephen Benson.

Mastered by Jonathan Sharp.

Artwork and design by Emily Ford.



"These Dislocated Isles, and the lighthouse is broken. The last several years has been a heady trip, sometimes dark and long, sometimes baffling and strange, always surprising, always changing. Strange times indeed as I often hear people say. 

Lucky for me, I’m still here to hear them call out, still enjoying the glimpses of light and euphoria when they bolt from the earth and sky.
Feelings and events (personal and communal) have come and gone like quicksands on a ghost beach. Themes emerge and permeate in the ether.

Divorce, bouts of loneliness, falling madly in love and re-marrying, the joy of DIY and punk noise, depression (mostly of dear others) have all featured as constants in my mind casting a tangled web. STICKY.

Add to this constant social and political upheaval, Myopia (everywhere), attacks on the common good, serious illness, lucid dreaming, near death flirtations and explosions of art, song, love and future fever dreams and you have a cerebral headfuck.

This thirty-minute (or so…) TONE POEM (HA!) is a reflection on our personal and shared dislocations, mentally, physically, politically, socially, geographically, economically and spiritually. I pieced it together at the end of 2021 intending to perform it live. Alas, illness has prevented this as yet.

For now, here is A version of These Dislocated Isles for prosperity, bundled up inside tape and digital space, making little sense but holding onto something…. for something (people). 

Thanks for listening, everything is possible.

xx 

Whoever you are, no one belongs here more than you." - Marc

Free download and extremely limited cassette available from our Bandcamp.





Thursday, 30 December 2021

The Nightowl Sings - 2010-2021

 





















Self Made compilation 2021.

Disc 1:

01 Ghost
02 Sunset at Smurf's Castle
03 Deliverance
04 Mary George
05 Tall Dark Pines
06 Shady Grove
07 1913/Dancer
08 10 Minutes From Olympia
09 Lone Transmission #1
10 The Day She Walked Into My Mind
11 On Fire
12 Old Yellow Moon
13 Angels of the Rain

Disc 2:

01 High-Rise
02 Take Flight
03 How Do You Get High
04 Down Terrace
05 Grow My Dears
06 Suicide #2 (Electric Boogaloo)
07 Dreams of Civic Pride
08 Close to Me
09 A Tree With Roots
10 Angry Bees
11 Steig & Eva
12 Driven to Dust

I've known Marc Gillen for over 24 years and we've been making music together, in one way or another, since we met.

Initially I joined his Carlisle based space-rock band 'The Dream Stealers', although at the second rehearsal I attended, the band decided to split. Marc and I decided to form a new band alongside Kevin Pearson and Alan Graham, both from Aspatria. Garage psych band 'Edsel' recorded one single ('Don't Want To Go Now') and played one gig (The Twisted Wheel in 1999) before calling it a day after a little over 18 months.

The recording experience for the single soured us to the idea of commercial studios; recording against the clock, no input into the mixing process and ultimately a disappointing result. We decided to invest in home recording equipment (a four track Fostex cassette recorder) and the two of us started the band 'Harbourcoat'. 

The initial years of Harbourcoat, 2001 to 2004, were essentially myself and Marc recording every and any idea we had. Alastair Popple enters the scene at this point; helping with production, sound and CD reproduction. As much as Marc and I were learning how to play and how to write and record songs, Al was learning how to produce.

The years 2005 saw an expanded Harbourcoat perform live and record material of a higher quality. Shane McGee and Jeremy Bye joined as long term members on guitar and drums respectively.

In 2007, the situation became undesirable for Marc as he found the constraints of a recording a frustration. Now writing way more songs than the slow paced Harbourcoat could manage, he decided to quit, invest in further home recording equipment and came up with the concept of Treehouse Orchestra Recordings.

The idea was to have an 'umbrella' name, a home in which everyone could record their ideas and release to the new ethically pleasing music platform Bandcamp under whatever moniker they choose. Ideas and songs could be released as solo artists, in pairs or in bands.

The first band to record within this concept was Treehouse; a four piece consisting of Marc, Rachel Gillen, David Thompson and Alex Thompson. I guested on a few tracks and was immediately enamored with this new way of working. Once the Treehouse project was complete, Marc recorded and produced my first release as a solo artist; 'Dag Lief' under the name 'We Are The Wooden Houses'. 

Further releases followed (and right up until this day, we're on our eighty-second release) and in 2010, myself, Marc and David Thompson formed 'The Dead West'. Our first release was a double album. The majority of the material was ensemble based, but we also included solo recordings. As usual, Marc had written and recorded way more than was necessary and the session that bore the solo tracks for 'The Dead West Volumes I & II'  became the basis of the first release by new artist name 'The Nightowl Sings'.

Disc 1:

Ghost

Released on 'Ghosts' E.P. June 1st 2010

Recorded Spring 2010. Produced by Marc Gillen.

Marc Gillen - Vocals, Guitar & Radio.


Sunset at Smurf's Castle

Released on 'Dream Logic Truckstop Jams' L.P. December 1st 2010.

Recorded Autumn 2010. Produced by Marc Gillen and Alastair Popple.

Marc Gillen - Vocals, Guitar & Synth.
Stephen Benson - Guitar & Drums.
David Thompson - Bass.

I have fond memories of recording the first Nightowl Sings album; performing and mixing in the music room. As I remember, our expanding range of instruments had recently included a floor tom to join our snare. A dream sequence set in my hometown, always been a favourite.

Deliverance

Released on 'Ghosts' E.P. June 1st 2010

Recorded Spring 2010. Produced by Marc Gillen.

Marc Gillen - Vocals & Piano.

A lot of Marc's early Treehouse compositions were solo piano pieces, several appearing on the first Treehouse album and the intial NOS releases.

Mary George

Released on 'Dream Logic Truckstop Jams' L.P. December 1st 2010.

Recorded Autumn 2010. Produced by Marc Gillen.

Marc Gillen - Vocals.
Stephen Benson - Banjo & Drum.

Recorded live (save for the tom overdub), this recording and it's lyrics have always been in my top five.

Tall Dark Pines

Released on 'By The Light Of The Fallen Moon' L.P. November 11th 2011.

Recorded Autumn 2011. Produced by Marc Gillen, Alastair Popple and Stephen Benson.

Marc Gillen - Vocals & Guitar.
Stephen Benson - Guitars & Percussion.

An early example of a vocal and guitar version (or another sparse variation) of a song that Marc hands over to me to do what I please. The dark vibe of this song is all over the album 'By The Light Of The Fallen Moon', which is why I'm so fond of it.

Shady Grove

Released on the various artists album '8 Folk Songs' September 2012.

Recorded Summer 2012. Produced by Marc Gillen and Alastair Popple.

Marc Gillen - Vocals, Electric Guitar, Piano, Bass & Drums.

I've always liked this various artists album; after two years of us recording in different configurations, it's interesting to see where we are as solo artists. This track sounds like the outlier of disc one of this compilation, but sounds more like what was to come than anything else here.

1913/Dancer

Released on 'Lone Transmissions' E.P. February 23rd 2013.

Recorded January 2013. Produced by Marc Gillen and Alastair Popple.

Marc Gillen - Vocals & Piano.
Connor Gillen - Vocals.
Alastair Popple - Programming.

'Lone Transmissions' was one of a series of cassettes released on TOR at this time. Al takes more of a compositional role on this track and Marc's son Conner provides a vocal at the age of 12. This release still remains one of my favourite NOS releases.

10 Minutes From Olympia

Released on 'Tip The Maps' L.P. September 1st 2012.

Recorded Summer 2012. Produced by Marc Gillen, Alastair Popple and Stephen Benson.

Marc Gillen - Vocals, Guitar & Radio.
Stephen Benson - Bass, Drums & Saxophone.

Endless summers belting out this kind of Beefheart/Pavement/Can style jam on a Saturday afternoon.

Lone Transmission #1

Released on 'Lone Transmissions' E.P. February 23rd 2013.

Recorded January 2013. Produced by Stephen Benson.

Marc Gillen - Piano.
Stephen Benson - Effects, Looping & Construction.

'Lone Transmissions' was a cassette release and Marc asked myself and Al to come with a new track apiece, using sequences of other songs as well as discarded parts. These songs were meant to end the consecutive sides. This is my effort.

The Day She Walked Into My Mind

Released on 'The Day She Walked Into My Mind' L.P. August 3rd 2013.

Recorded Winter/Spring 2013. Produced by Alastair Popple.

Marc Gillen - Vocals & Guitars.
Stephen Benson - Guitars, Bass & Drums.

On Fire

Released on 'The Day She Walked Into My Mind' L.P. August 3rd 2013.

Recorded Winter/Spring 2013. Produced by Alastair Popple.

Marc Gillen - Vocals & Bass.
Stephen Benson - Guitar & Drums.
David Thompson - Vocals.

Fond memories of recording this album. Lots of collaboration and the extensive Dead West sessions were habit forming and carrying on into 2013.

Old Yellow Moon

Released on 'All Hail the Town to Town Troubadour' L.P. April 12th 2014.

Recorded Autumn/Winter 2013. Produced by Alastair Popple.

Marc Gillen - Vocals & Piano.

Angels of the Rain

Released on 'All Hail the Town to Town Troubadour' L.P. April 12th 2014.

Recorded Autumn/Winter 2013. Produced by Alastair Popple.

Marc Gillen - Vocals, Guitar & Bass.
Stephen Benson - Guitars, Drums & Violin.

Recorded after a summer spent recording 'Hills! Werewolves! Run! 4', 'All Hail the Town to Town Troubadour' was the next project started. Always felt like a trilogy along with 'All Is Quiet Now' and 'After The Flowers'.

Disc 2:

The songs on disc 2 represent material from the latter half of the NOS recorded output. It is presented less chronologically than disc 1, has more guests and with that more diverse material.

High-Rise

Released on 'After the Flowers' September 19th 2015.

Recorded January 2015. Produced by Marc Gillen & Alastair Popple.

Marc Gillen - Vocals, Keyboards & Drum Machine.
Alastair Popple - Programming.
David Thompson - Vocals & Keyboards.

Originally destined for an 'Old Weird' release (Marc Gillen and David Thompson), that project was shelved and this track found it's way onto the second NOS release of 2015.

Take Flight

Released on 'All Is Quiet Now' January 23rd 2015.

Recorded Summer 2014. Produced by Alastair Popple.

Marc Gillen - Vocals & Electric Guitar.
Stephen Benson - Electric Guitars.
Sarah Ruddy - Vocals & Acoustic Guitar.

Another song in my personal top five. The initial live performance was solid and Al finishes it of with some post production that elevates it. Featuring Sarah Ruddy who made several vocal and instrumental contributions at this time, most noticeably with The Dead West.

How Do You Get High

Released on 'After the Flowers' September 19th 2015.

Recorded January 2015. Produced by Alastair Popple.

Marc Gillen - Vocals & Guitar.
Stephen Benson - Guitars, Drums & Percussion.
Alastair Popple - Programming.

The final song on 'After the Flowers' using a cut up and loop technique, mainly thanks to Al, making it a slightly Krautrock affair.

Down Terrace

Released on '1955' July 22nd 2016.

Recorded July 2016. Produced by Alastair Popple.

Marc Gillen - Vocals & Acoustic Guitar.
Stephen Benson - Guitars & Effects.
David Thompson - Vocals.
Jill Wallace - Vocals.

One of two tracks from my favourite stand alone NOS release '1955'. Myself, Marc and Jill Wallace found ourselves with some downtime because of the band Brocken Spectre breaking up, although this proved to be temporary. This one really has the spook.

Grow My Dears

Released on 'Slow Daze' August 1st 2021.

Recorded Autumn 2020. Produced by Alastair Popple.

Marc Gillen - Vocals & Keyboards.
Alastair Popple - Effects.

Taken from the latest Nightowl release 'Slow Daze'. That album had the distinction of being the first Treehouse Orchestra Recordings release on vinyl. During the 'test listen' I remember this sounding fantastic on record.

Suicide #2 (Electric Boogaloo)

Released on 'After the Flowers' September 19th 2015.

Recorded January 2015. Produced by Alastair Popple.

Marc Gillen - Vocals & Guitar.
Stephen Benson - Guitars, Drums & Percussion.
Alastair Popple - Programming.

More cut up mixing of performance and post production. 

Dreams of Civic Pride

Released on the 'Sliders' E.P. March 7th 2019.

Recorded 2017. Produced by Alastair Popple.

Marc Gillen - Vocals, Acoustic Guitar & Bass.
Stephen Benson - Electric Guitar & Percussion.
Jessica Lowes - Vocals.

A series of sessions were recorded upstairs at Warwick Bazaar in 2017 and set aside for release. For one reason or another this didn't happen until 2019. The only song on this compilation not recorded at home, this was originally scheduled to be recorded by Brocken Spectre.

Close to Me

Released on 'Slow Daze' August 1st 2021.

Recorded Autumn 2020. Produced by Alastair Popple.

Marc Gillen - Vocals & Keyboards.
Alastair Popple - Effects.

Released ahead of 'Slow Daze' as a promotional video.

A Tree With Roots

Released as the b-side to 'Erupt' October 28th 2014.

Recorded October 2014. Produced by Alastair Popple.

Marc Gillen - Vocals & Bass.
Stephen Benson - Banjo & Drums.
David Thompson - Vocals & Guitar.

A song written a long time ago, this is the last released song recorded by The Dead West line up.

Angry Bees

Released on 'Slow Cancellation' June 1st 2020.

Recorded April 2020. Produced by Stephen Benson.

Marc Gillen - Vocals, Guitars & Keyboards.

Steig & Eva

Released on 'Slow Cancellation' June 1st 2020.

Recorded April 2020. Produced by Stephen Benson.

Marc Gillen - Vocals, Guitars & Keyboards.
Stephen Benson - Guitars & Bass.

The first lockdown of 2020 prevented any in person collaboration. Marc recorded ideas and sent them along to me. I added some instrumentation, mixed and finally produced the material. It seems all music recorded in the early days of the pandemic have a similar spook.

Driven to Dust

Released on '1955' July 22nd 2016.

Recorded July 2016. Produced by Alastair Popple.

Marc Gillen - Vocals & Acoustic Guitar.
Stephen Benson - Guitars, Sound Collage & Echo Machine.

Another absolute favourite. The final track on '1955' and a fitting end to this compilation.

Saturday, 28 August 2021

The Nightowl Sings - Slow Daze

 





















Treehouse Orchestra Recordings 2021.

01 Percy
02 Weather Systems
03 I'll Take You to the Meadow, It's Nice There
04 Grow My Dears
05 Lighthouse
06 Lakes Ahoy
07 Close To Me

All tracks written by Marc Gillen, performed and arranged by Marc Gillen & Alastair Popple. 

Stephen Benson - Guitar on 'Weather Systems' and bass on 'Weather Systems', 'Lighthouse' and 'Close To Me'. Jacqueline Kumar - additional voice on 'I'll Take You to the Meadow, It's Nice There'.

Recorded at home by Marc Gillen October 2020 - April 2021.

Mixed and mastered by Alastair Popple at The Kitchen Sync October 2020 - April 2021.

Photography by Marc and design by Al.

Download also includes the promotional video for 'Close to Me' by Stephen Benson.


"Right about now, we’re gonna get to the old school beat of things. In an unexpected change of direction, Nightowl Sings has gone a bit techno trousers on us – at least for some of Slow Daze. Yes, he’s broken out the synth and drum machine on previous releases, but never to extent that he does on opening track “Percy”. With its undulating synth lines and pounding kick drum, this is Nightowl revealing the influence of Underworld on his work for probably the first time (if he’s doffed the cap before, he’s been a lot more subtle about it). If you’re going for a shift in direction, you may as well leap in with both feet and that’s exactly what happens with “Percy”. Expectations swept away, new scene set, all is well.

Although the direction is new, the approach to recording is as old school as you get. The Nightowl plays synths in the old analogue tradition of one finger at a time. No fancy sequencers were utilised here, just a bit of technical expertise from regular Nightowl collaborator Alastair Popple. For example, he takes the main bulk of “Percy”, whips out the digital razor blade and sticky tape and gives it an extra couple of minutes. Like the original recording techniques, you won’t notice, but it is worth acknowledging. There’s a counterpart to the opener in the shape of the gently lush ambient excursion, “Lakes Ahoy”, on the second side. That’s right, Slow Daze is the first TOR music to get a vinyl release, although it is an incredibly limited pressing. Hopefully, it will double as a pension fund when people realise what a musical treasure trove is buried in north Cumbria.

It’s not all epic electronic vistas, though. “Weather Systems” layers the jittery drum patterns into a ghost of a song. ‘Loving you is sweet,’ the Nightowl softly sings, and the trap is sprung. You’re hooked. The next two tracks have similarly haunting qualities: on “I’ll Take You To The Meadow, It’s Nice There”, it’s the overlaying of multiple voices flying across the stereo spectrum. The music that underpins it is frantic, busy, almost anxious. It’s curtailed before things get too out of hand: you won’t be sure if the invitation to the meadow is friendly or if there’s a shallow grave in the field with your name on it. Closing side one is the even more spectral “Grow My Dears”, which sounds as if it could float away on the breeze at any second.

The sequence of spookily, supernatural songs is completed by “Lighthouse”, a compelling instrumental that has more heft than initially apparent. Acting as a prelude to “Lakes Ahoy”, it’s the track that ties everything together, easing us from the vocal tracks back to the Nightowl not singing. That’s not the end of the story though, for “Close To Me” – ‘Don’t sell at any price,’ he croons, perhaps a warning to the handful that own the vinyl. It’s a positive way to end, listing the joys of discovering new things and casting out the old. This is a message that sums up the album as a whole: a new sound, a new life, and a new love to chase out the ghosts that have gone before. As the saying goes – there’s no school like the old school. Sometimes a moment to look back provides a fresh impetus to go forward. With Slow Daze, the Nightowl succeeds." - Jeremy Bye


Friday, 19 June 2020

The Nightowl Sings - Slow Cancellation E.P.



TOR074. June 2020.

01 Summer's Yawn
02 Angry Bees
03 Municipal Dreams
04 Stieg & Eva
05 Future Shock


Marc Gillen - Guitars, Keyboards, Samples, Percussion and Vocals.

with

Stephen Benson - Additional Guitar and Bass on 'Municipal Dreams' and 'Stieg & Eva'.

Recorded at home by Marc Gillen, April 2020.

Mixed and produced by Stephen Benson, April 2020.

Cover art by Marc Gillen.

"Rain is nowhere
Cloudless drift
Grass is barren brown
Quiet screams are made
But neighbours don't hear
At least the kale is doing well

Photos arrive
From a seaside town
Desolate and clear
Switch on the battered synths
And try to reclaim
Yesterday's joy

Time circles
Like a drunk vulture
No merry-go-round
Just back to the start again
Roll the dice
But someone stole my dreams today"

These songs were written and recorded during the first two weeks of lockdown. I had been reading Eva Gabrielsson's 'Stieg and Eva' as the dark curtain of lockdown descended and this proved to be a good catalyst for the E.P. The books tales of isolation, political upheaval and cultural butchery seemed apt. The music and lyrics for the E.P. came quickly and I was trying to play with different sounds and trying not to get hung up on the perfect take, just going with what felt right. Ste helped do the mixing and added a few overdubs. Its funny how difficult times have you looking for home; for me that's songwriting and TOR, and I'm glad this loose creative family is always a home I can rely on. - Marc.

Thursday, 28 March 2019

The Nightowl Sings - Sliders E.P.



Treehouse Orchestra Recordings TOR62. 2019.

01 Don't Stand Down
02 Joy Explosion
03 Queen of K
04 Oranges
05 Dreams of Civic Pride


Another release from my own label.

In the post for 'Amsterdam/America' by Ghosts of Hobbs End I explained how those recordings took place after sessions for a new collection of songs by The Nightowl Sings. This is that collection, finally released after two years.

After the (temporary) break up of Brocken Spectre, Marc Gillen set about recording a new batch of songs. A revolving door of musicians fleshed out these recordings including myself on drums and some guitar and bass, Jill Wallace (also from Brocken Spectre) plays bass on some tracks, David Thompson (Cat of Tomorrow) contributes guitar and new contributor Jessica Lowes sings back up on these songs.

The last release from The Nightowl Sings was '1955' released in July 2016, this collection gathers together the final recordings (to date) made under that name.

Scuzzed out pop, cracked alt ballads and art rock.





Tuesday, 26 July 2016

THE NIGHTOWL SINGS - 1955






















Treehouse Orchestra Recordings TOR53. 2016.

01. You Can't Take It Back
02. No One Belongs Here More Than You
03. Down Terrace
04. Driven To Dust


The curator of the final Esoterica Britannica is Marc Gillen and this is the latest release by him. I engineered and play on the songs with other TOR members Jill and David helping out. My Wooden Houses partner Al mixed and produced.

I include it because it starts off loner downer folk with field recordings into downer psych. Taking in the Manson Family Jams, sound collage and psych folk. Heavy downer vibe with stoner leanings.

Recorded throughout June and July during sunny evenings.

Follow the Bandcamp link for a free download.