Monday, 28 February 2022

Shelterland - At the Serpent Solstice

 




















TOR084. Released February 2022.

01 A Crack in the Lake
02 Rites of Presage
03 The Scorpion and the Seahorse
04 The Girl and the Glass Ocean
05 The Prettiest Corpse
06 Shades from the Witching Well
07 Night Falls
08 Circle
09 The Lesley Experiment
10 Winter of the Red Queen
11 Parliament of Tears
12 Cadexe
13 The Leph
14 The Sun Chimes
15 The Sentinel and the Ferryman
16 Another Dawn

The players were:-

Al: atmospherics (3, 4, 6, 7, 13, 14, 15, 16), bass (3, 15), cello (1, 3), chant (2), chimes (4, 16), choir (2), drill (3, 11), drones (1, 4, 7, 10, 11, 12, 14, 15, 16), drums (3, 9, 15), field recordings (2, 3, 8, 9, 15), fridge (2), glass (2, 3, 4), keys (4), organ (4, 15), percussion (3, 4, 11, 15, 16), piano (1, 3, 7, 8, 10, 11, 12, 13, 15), shamisen (15), strings (4)
plus lephertronics on everything except (9), on which there are no lephertronics.

Ste: acoustic guitar (3, 4, 10, 14), bass guitar (3, 9, 13), field recordings (3, 5, 9, 15), mandolin (7), sitar (15)

Marc: acoustic guitar (2, 13), bass guitar (4, 6, 13, 14), inverted vocal (15)

Steve: Drums (3, 9, 15)

Brian: fuffing (15)

Catherine: violin (2, 7, 13, 14, 15)

Dave: vocals (10, 15, 16)

Tim: vocals (1)

Anna: spoken word (2, 4, 10, 11, 12)

and

Robin: flaneurettes (5, 6) - scannerdot.com/2020/04/the-birth-of-flaneur-electronique/
Free to use without copyright

"neatonk": "MISStereoPiano" (1, 3, 4, 7, 8, 10, 11, 12, 13) - freesound.org/people/neatonk/packs/9133/
"khunseng": "DR000723" (2) - freesound.org/s/112141/
"Satoration": "mass in croatian cathedral" (2) - freesound.org/s/54753/
"Kaiho": "Sitar long.aiff" (15) - freesound.org/s/37715/

All players performed by Shelterland; all music written by Shelterland
words on (11) adapted from «Людей теряют только раз» by Геннадий Шпаликов

Design & photography by Al
(except image #7 adapted from a photograph taken by Joy & Alf in Soweto, January 13th, 1976)
Box design by Al

Mixed at the Kitchen Sync between 2014 and 2022

freesound.org samples adapted and edited under Creative Commons Attribution license
Summary: creativecommons.org/licenses/by/3.0/
License: creativecommons.org/licenses/by/3.0/legalcode)

© Shelterland, 2022 ℗ Treehouse Orchestra Recordings, 2022

Thanks for their (sometimes unwitting) involvement goes to Alastair Popple, Stephen Benson, Marc Gillen, Steve Orchiton, Catherine Reding, Dave Thompson, and Tim Popple.
Circle is for Anna, a friend in need.
Brian was a pheasant, by now long since lunch.
Also thanks to Robin Rimbaud for his free flaneur sample pack, and to the uploaders at freesound.org.






Handmade double CDR edition in engraved wooden box with photo booklet, plus USB drive containing the album in various digital formats, an 'Isolated Versions' edition of the album, and a bonus EP of exclusive tracks.

Streaming, download and limited edition box available from Bandcamp.


Various Artists - Winter 2021/22

 





















01 Chieko Mori - Spiral Wave
02 Mildred Maude - Trevena
03 Morton Feldman - Rothko Chapel 2
04 The Neighb'rhood Childr'n - Chocolate Angel
05 Sonic Boom - Tawkin Tekno (Remix)
06 Obay Alsharani - Speak Your Truth
07 The Afghan Women's Orchestra 'Zohra' - Homeland
08 Brad Fiedel - Just Before Dawn (Main Theme)
09 Ana Roxanne - It's a Rainy Day On The Cosmic Shore
10 The Brian Jonestown Massacre - Fuck You For Fucking Me
11 Ros Seresyothea - Penh Chet Tae Bong Mouy (I Love Only You)
12 Ultimate Spinach - Sacrifice Of The Moon (In Four Parts)
13 Pefkin - Numenius Borealis
14 Paper Dollhouse - Piano 3

Sunday, 30 January 2022

Twin Beaks - Mechanically Reclaimed Slaughterhouse Floor Scrapings

 




















TOR083. Released January 2022.

01 Troll Hatchery, or the Cathedral of Diminishing Returns
02 Happy Drill Time
03 Masala Disaster

Another music project with my involvement...

In the Autumn of 2015, I was the bass player in Asian Babes and we were rehearsing for upcoming winter gigs. One particular rehearsal was nearly cancelled as Kate Thorburn (vocals) and Neil Armstrong (drums) couldn't attend. Myself and Bob Cuthbertson (guitar) decided to keep the slot and record some improvisations.

We produced over 2 hours of recordings using mainly synth and drums with some guitar and handed these over to Alastair Popple for remixing and recreating.

An initial idea was to have guest vocalists on each track, but only one of these came to fruition. Chili Nasti is a Ghanaian rapper and provides the vocals on 'Happy Drill Time'. This came about because the Asian Babes producers at Green Door Studios in Glasgow were running an exchange program with the ultimate aim of having a fully functioning recording studio built in Ghana. At this time, the studio was nearly complete and they were about to start recording tests. Chili Nasti was asked to come in to test microphones and recording in general. We requested that he do his vocal tests to a fixed tempo with the intention of using them on one of our tracks.

A few Bass guitar overdubs were scheduled, and recorded in November, but these morphed into its own track, 'Masala Disaster'.

Al worked away on these tracks and even provided rough mixes, but the project came to a halt to accommodate other projects, and within a couple of years was (nearly) forgotten.

At the very end of 2021, Al, in rescuing old music projects after a particularly drastic technological systems upgrade, recovered these tracks, blew off the dust, and produced new versions - this time complete - and presented them as a finished article.














I was happy to hear these live improvised recordings had been finally transformed into the bizarre, surreal, and unique music that is Twin Beaks, nearly 7 years after they were recorded. - Ste.

Improvised jams performed by Stephen Benson and Bob Cuthbertson at Scott's Self Storage on the 14th of October and at home on the 20th of November 2015. 

Mechanically reclaimed by Alastair Popple off and on between then and now.

Vocals on #2 by Chilli Nasti. Recorded at the Tafi Cultural Institute Studios, Tafi Atome, Ghana.

Photography by Stephen Benson, design by Alastair Popple.

Streaming, download and limited edition CD available from the Treehouse Orchestra Recordings Bandcamp.


Robbie Basho - Kingdom Of Love (Rarities)

 




















Fan made bootleg

01  The Thousand Incarnations of the Rose
02 Omar Khayyam Country (Live)
03 Bury My Heart At Wounded Knee 
04 Four Ladies Across the Board (Live)
05 Rainbow Thunder (Live in Monterey 1980)
06 Lightning Thunder (Alternate Take)
07 The White Swallow (Solo Vocal)
08 Omar Khayyam Country
09 The White Princess (Alternate Take)
10 Kingdom of Love (Outtake)
11 Twilight Peaks (Live) 
12 Nice Enough for Love (Live) 

A round up of Basho rarities.

Track 1 from the Various Artists Takoma L.P. 'Contemporary Guitar - Spring '67'.

Track 2 recorded live in 1978, available as a Grass-Tops Recordings download in 2016.

Track 3 is an outtake recorded 1978 from the Grass-Tops Recordings reissue of 'Visions of the Country' 2013.

Track 4 recorded live at the Sinclair Auditorium, July 1978. Available as a Grass-Tops Recordings download.

Track 5 from the Grass-Tops Recordings reissue of 'Rainbow Thunder - Songs of the American West' 2016.

Tracks 6 - 9 taken from the Grass-Tops Recordings reissue of 'Bouquet' 2016,

Tracks 10-12 all recorded 1984, from the Smeraldina-Rima reissue of 'Twilight Peaks' 2012.

The Beach Boys - Smile (It's Lost It's Found Version)

 




















Fan made bootleg

Side 1 - Our Prayer/Heroes and Villains/Do You Like Worms/I'm in Great Shape/You are My Sunshine/I Wanna Be Around/Workshop/Heroes and Villains

Side 2 - Vege-Tables/I Love to Say Da Da/Cool Cool Water/Tune X/Wind Chimes/Mrs. O'Leary's Cow/Fire

Side 3 - Child is the Father of the Man/Underwater Chant/Cabin-Essence/Look (I Ran)/Psycodelic Sounds/Laughing/Surf's Up

Side 4 - Wonderful-With Me Tonight-Good Vibrations-You're Welcome


I've recently had a Beach Boys phase. It made me recall a time a few years ago before post 'Pet Sounds' records received critical re-evaluation (some were still unavailable) and when mythical lost album 'Smile' was still unreleased.

I would visit record fairs hoping to find more pieces of this mysterious record, looking to find the parts that made it make sense. Like a lot of fans, I assembled my own version.

Over the years the story of 'Smile' changed. Brian Wilson first toured and then recorded and released his modern version of the album with his touring band in 2004.

'The Smile Sessions' were released in 2011, but these contemporary releases were missing something.

Last year, I assembled my own, new, version of Smile using all available material. I wanted to include some of the odder moments not used on the 'official' version. I was trying to retain the spookiness and strangeness I felt when I discovered a new piece of Smile music.

Readers here will probably know the story well, so I won't repeat it. I'm not trying to an authorative stamp on this version or declaring this is closest to Wilson's vision or anything like that. It's just the version I like to listen to.

Thursday, 30 December 2021

The Nightowl Sings - 2010-2021

 





















Self Made compilation 2021.

Disc 1:

01 Ghost
02 Sunset at Smurf's Castle
03 Deliverance
04 Mary George
05 Tall Dark Pines
06 Shady Grove
07 1913/Dancer
08 10 Minutes From Olympia
09 Lone Transmission #1
10 The Day She Walked Into My Mind
11 On Fire
12 Old Yellow Moon
13 Angels of the Rain

Disc 2:

01 High-Rise
02 Take Flight
03 How Do You Get High
04 Down Terrace
05 Grow My Dears
06 Suicide #2 (Electric Boogaloo)
07 Dreams of Civic Pride
08 Close to Me
09 A Tree With Roots
10 Angry Bees
11 Steig & Eva
12 Driven to Dust

I've known Marc Gillen for over 24 years and we've been making music together, in one way or another, since we met.

Initially I joined his Carlisle based space-rock band 'The Dream Stealers', although at the second rehearsal I attended, the band decided to split. Marc and I decided to form a new band alongside Kevin Pearson and Alan Graham, both from Aspatria. Garage psych band 'Edsel' recorded one single ('Don't Want To Go Now') and played one gig (The Twisted Wheel in 1999) before calling it a day after a little over 18 months.

The recording experience for the single soured us to the idea of commercial studios; recording against the clock, no input into the mixing process and ultimately a disappointing result. We decided to invest in home recording equipment (a four track Fostex cassette recorder) and the two of us started the band 'Harbourcoat'. 

The initial years of Harbourcoat, 2001 to 2004, were essentially myself and Marc recording every and any idea we had. Alastair Popple enters the scene at this point; helping with production, sound and CD reproduction. As much as Marc and I were learning how to play and how to write and record songs, Al was learning how to produce.

The years 2005 saw an expanded Harbourcoat perform live and record material of a higher quality. Shane McGee and Jeremy Bye joined as long term members on guitar and drums respectively.

In 2007, the situation became undesirable for Marc as he found the constraints of a recording a frustration. Now writing way more songs than the slow paced Harbourcoat could manage, he decided to quit, invest in further home recording equipment and came up with the concept of Treehouse Orchestra Recordings.

The idea was to have an 'umbrella' name, a home in which everyone could record their ideas and release to the new ethically pleasing music platform Bandcamp under whatever moniker they choose. Ideas and songs could be released as solo artists, in pairs or in bands.

The first band to record within this concept was Treehouse; a four piece consisting of Marc, Rachel Gillen, David Thompson and Alex Thompson. I guested on a few tracks and was immediately enamored with this new way of working. Once the Treehouse project was complete, Marc recorded and produced my first release as a solo artist; 'Dag Lief' under the name 'We Are The Wooden Houses'. 

Further releases followed (and right up until this day, we're on our eighty-second release) and in 2010, myself, Marc and David Thompson formed 'The Dead West'. Our first release was a double album. The majority of the material was ensemble based, but we also included solo recordings. As usual, Marc had written and recorded way more than was necessary and the session that bore the solo tracks for 'The Dead West Volumes I & II'  became the basis of the first release by new artist name 'The Nightowl Sings'.

Disc 1:

Ghost

Released on 'Ghosts' E.P. June 1st 2010

Recorded Spring 2010. Produced by Marc Gillen.

Marc Gillen - Vocals, Guitar & Radio.


Sunset at Smurf's Castle

Released on 'Dream Logic Truckstop Jams' L.P. December 1st 2010.

Recorded Autumn 2010. Produced by Marc Gillen and Alastair Popple.

Marc Gillen - Vocals, Guitar & Synth.
Stephen Benson - Guitar & Drums.
David Thompson - Bass.

I have fond memories of recording the first Nightowl Sings album; performing and mixing in the music room. As I remember, our expanding range of instruments had recently included a floor tom to join our snare. A dream sequence set in my hometown, always been a favourite.

Deliverance

Released on 'Ghosts' E.P. June 1st 2010

Recorded Spring 2010. Produced by Marc Gillen.

Marc Gillen - Vocals & Piano.

A lot of Marc's early Treehouse compositions were solo piano pieces, several appearing on the first Treehouse album and the intial NOS releases.

Mary George

Released on 'Dream Logic Truckstop Jams' L.P. December 1st 2010.

Recorded Autumn 2010. Produced by Marc Gillen.

Marc Gillen - Vocals.
Stephen Benson - Banjo & Drum.

Recorded live (save for the tom overdub), this recording and it's lyrics have always been in my top five.

Tall Dark Pines

Released on 'By The Light Of The Fallen Moon' L.P. November 11th 2011.

Recorded Autumn 2011. Produced by Marc Gillen, Alastair Popple and Stephen Benson.

Marc Gillen - Vocals & Guitar.
Stephen Benson - Guitars & Percussion.

An early example of a vocal and guitar version (or another sparse variation) of a song that Marc hands over to me to do what I please. The dark vibe of this song is all over the album 'By The Light Of The Fallen Moon', which is why I'm so fond of it.

Shady Grove

Released on the various artists album '8 Folk Songs' September 2012.

Recorded Summer 2012. Produced by Marc Gillen and Alastair Popple.

Marc Gillen - Vocals, Electric Guitar, Piano, Bass & Drums.

I've always liked this various artists album; after two years of us recording in different configurations, it's interesting to see where we are as solo artists. This track sounds like the outlier of disc one of this compilation, but sounds more like what was to come than anything else here.

1913/Dancer

Released on 'Lone Transmissions' E.P. February 23rd 2013.

Recorded January 2013. Produced by Marc Gillen and Alastair Popple.

Marc Gillen - Vocals & Piano.
Connor Gillen - Vocals.
Alastair Popple - Programming.

'Lone Transmissions' was one of a series of cassettes released on TOR at this time. Al takes more of a compositional role on this track and Marc's son Conner provides a vocal at the age of 12. This release still remains one of my favourite NOS releases.

10 Minutes From Olympia

Released on 'Tip The Maps' L.P. September 1st 2012.

Recorded Summer 2012. Produced by Marc Gillen, Alastair Popple and Stephen Benson.

Marc Gillen - Vocals, Guitar & Radio.
Stephen Benson - Bass, Drums & Saxophone.

Endless summers belting out this kind of Beefheart/Pavement/Can style jam on a Saturday afternoon.

Lone Transmission #1

Released on 'Lone Transmissions' E.P. February 23rd 2013.

Recorded January 2013. Produced by Stephen Benson.

Marc Gillen - Piano.
Stephen Benson - Effects, Looping & Construction.

'Lone Transmissions' was a cassette release and Marc asked myself and Al to come with a new track apiece, using sequences of other songs as well as discarded parts. These songs were meant to end the consecutive sides. This is my effort.

The Day She Walked Into My Mind

Released on 'The Day She Walked Into My Mind' L.P. August 3rd 2013.

Recorded Winter/Spring 2013. Produced by Alastair Popple.

Marc Gillen - Vocals & Guitars.
Stephen Benson - Guitars, Bass & Drums.

On Fire

Released on 'The Day She Walked Into My Mind' L.P. August 3rd 2013.

Recorded Winter/Spring 2013. Produced by Alastair Popple.

Marc Gillen - Vocals & Bass.
Stephen Benson - Guitar & Drums.
David Thompson - Vocals.

Fond memories of recording this album. Lots of collaboration and the extensive Dead West sessions were habit forming and carrying on into 2013.

Old Yellow Moon

Released on 'All Hail the Town to Town Troubadour' L.P. April 12th 2014.

Recorded Autumn/Winter 2013. Produced by Alastair Popple.

Marc Gillen - Vocals & Piano.

Angels of the Rain

Released on 'All Hail the Town to Town Troubadour' L.P. April 12th 2014.

Recorded Autumn/Winter 2013. Produced by Alastair Popple.

Marc Gillen - Vocals, Guitar & Bass.
Stephen Benson - Guitars, Drums & Violin.

Recorded after a summer spent recording 'Hills! Werewolves! Run! 4', 'All Hail the Town to Town Troubadour' was the next project started. Always felt like a trilogy along with 'All Is Quiet Now' and 'After The Flowers'.

Disc 2:

The songs on disc 2 represent material from the latter half of the NOS recorded output. It is presented less chronologically than disc 1, has more guests and with that more diverse material.

High-Rise

Released on 'After the Flowers' September 19th 2015.

Recorded January 2015. Produced by Marc Gillen & Alastair Popple.

Marc Gillen - Vocals, Keyboards & Drum Machine.
Alastair Popple - Programming.
David Thompson - Vocals & Keyboards.

Originally destined for an 'Old Weird' release (Marc Gillen and David Thompson), that project was shelved and this track found it's way onto the second NOS release of 2015.

Take Flight

Released on 'All Is Quiet Now' January 23rd 2015.

Recorded Summer 2014. Produced by Alastair Popple.

Marc Gillen - Vocals & Electric Guitar.
Stephen Benson - Electric Guitars.
Sarah Ruddy - Vocals & Acoustic Guitar.

Another song in my personal top five. The initial live performance was solid and Al finishes it of with some post production that elevates it. Featuring Sarah Ruddy who made several vocal and instrumental contributions at this time, most noticeably with The Dead West.

How Do You Get High

Released on 'After the Flowers' September 19th 2015.

Recorded January 2015. Produced by Alastair Popple.

Marc Gillen - Vocals & Guitar.
Stephen Benson - Guitars, Drums & Percussion.
Alastair Popple - Programming.

The final song on 'After the Flowers' using a cut up and loop technique, mainly thanks to Al, making it a slightly Krautrock affair.

Down Terrace

Released on '1955' July 22nd 2016.

Recorded July 2016. Produced by Alastair Popple.

Marc Gillen - Vocals & Acoustic Guitar.
Stephen Benson - Guitars & Effects.
David Thompson - Vocals.
Jill Wallace - Vocals.

One of two tracks from my favourite stand alone NOS release '1955'. Myself, Marc and Jill Wallace found ourselves with some downtime because of the band Brocken Spectre breaking up, although this proved to be temporary. This one really has the spook.

Grow My Dears

Released on 'Slow Daze' August 1st 2021.

Recorded Autumn 2020. Produced by Alastair Popple.

Marc Gillen - Vocals & Keyboards.
Alastair Popple - Effects.

Taken from the latest Nightowl release 'Slow Daze'. That album had the distinction of being the first Treehouse Orchestra Recordings release on vinyl. During the 'test listen' I remember this sounding fantastic on record.

Suicide #2 (Electric Boogaloo)

Released on 'After the Flowers' September 19th 2015.

Recorded January 2015. Produced by Alastair Popple.

Marc Gillen - Vocals & Guitar.
Stephen Benson - Guitars, Drums & Percussion.
Alastair Popple - Programming.

More cut up mixing of performance and post production. 

Dreams of Civic Pride

Released on the 'Sliders' E.P. March 7th 2019.

Recorded 2017. Produced by Alastair Popple.

Marc Gillen - Vocals, Acoustic Guitar & Bass.
Stephen Benson - Electric Guitar & Percussion.
Jessica Lowes - Vocals.

A series of sessions were recorded upstairs at Warwick Bazaar in 2017 and set aside for release. For one reason or another this didn't happen until 2019. The only song on this compilation not recorded at home, this was originally scheduled to be recorded by Brocken Spectre.

Close to Me

Released on 'Slow Daze' August 1st 2021.

Recorded Autumn 2020. Produced by Alastair Popple.

Marc Gillen - Vocals & Keyboards.
Alastair Popple - Effects.

Released ahead of 'Slow Daze' as a promotional video.

A Tree With Roots

Released as the b-side to 'Erupt' October 28th 2014.

Recorded October 2014. Produced by Alastair Popple.

Marc Gillen - Vocals & Bass.
Stephen Benson - Banjo & Drums.
David Thompson - Vocals & Guitar.

A song written a long time ago, this is the last released song recorded by The Dead West line up.

Angry Bees

Released on 'Slow Cancellation' June 1st 2020.

Recorded April 2020. Produced by Stephen Benson.

Marc Gillen - Vocals, Guitars & Keyboards.

Steig & Eva

Released on 'Slow Cancellation' June 1st 2020.

Recorded April 2020. Produced by Stephen Benson.

Marc Gillen - Vocals, Guitars & Keyboards.
Stephen Benson - Guitars & Bass.

The first lockdown of 2020 prevented any in person collaboration. Marc recorded ideas and sent them along to me. I added some instrumentation, mixed and finally produced the material. It seems all music recorded in the early days of the pandemic have a similar spook.

Driven to Dust

Released on '1955' July 22nd 2016.

Recorded July 2016. Produced by Alastair Popple.

Marc Gillen - Vocals & Acoustic Guitar.
Stephen Benson - Guitars, Sound Collage & Echo Machine.

Another absolute favourite. The final track on '1955' and a fitting end to this compilation.

Goatherder - The Hayton Tapes

 




















TOR082. Released December 2021.

01 Goatherder & Asha Nicholson - Solo Wanderings #1
02 Goatherder - The Hayton Tapes Part 1
03 Goatherder & Asha Nicholson - Turn
04 Goatherder - The Hayton Tapes Part 2
05 Goatherder & Asha Nicholson - Solo Wanderings #2

Some more of my own music now...

'Solo Wandering' and 'Turn' performed by:

Stephen Benson - Effects & Piano.
Asha Nicholson - Piano, Voice & Effects.

Recorded live August 1st 2021. Mixed November 2021.

'The Hayton Tapes' live improvisation performed by:

Stephen Benson, Felicity Cromack, Emily Ford, Stephanie Gardner,
Gareth Hodgson, Ricardo Marzo, Camille Matton, Asha Nicholson,
Nick Taylor & Samantha Staniforth.

Recorded July 31st 2021. Mixed October 2021.

Cover illustration by Emily Ford, Photography by Stephen Benson.

Inbetween the lockdowns of 2020, I became a frequent visitor to Hayton Castle. The castle is a 14th or 15th century tower house; this was extended in the 16th and 17th centuries. It's occupants were artists, professionals and hippy types. 

The following year, an idea was formed about an evening of music performance, to be recorded, in one of the many rooms of the castle.
















On the evening of July 31st 2021, several hours of jams and improvisations were recorded. Some were structured; to create a collage, contributors were given instruments (radio with effects, electric guitar with effects and trumpet and saxophone) and asked to make what sounds they could. These would be played alongside each other, but parts performed in isolation.

The majority of the evening was a series of live improvisations. I played electric guitar and effects with the rest of the performers used various drums, percussion and horns.

These recordings have been cut up and mixed together as 'The Hayton Tapes'.
















The next morning was set aside for the second purpose of this weekend; to record myself and musical pal Asha Nicholson. In the same room, improvised piano and vocals were processed and effected live, with editing and mixing taking place in November.

Front cover llustration of Slag Bank by Emily Ford, from unused book cover.

Download, streaming and cassette version available from Bandcamp.